The best books are those that tell you what you already know, but didn’t know that you knew.
If you’re anything like me, you’ve spent much of your life trying to make sense of things: happiness and suffering, love and loss, reason and emotion, the strange business of being human.
That search has taken me through medicine, psychiatry, philosophy, literature, history, and the wisdom of the ancient world.
Along the way, I’ve written books that bring these different traditions into conversation—not for the sake of scholarship alone, but to shed light on the enduring questions of how to think, how to feel, and how to live.
These are not books written to impress or overwhelm. They are written to illuminate: to challenge familiar assumptions, reveal unexpected connections, and offer new ways of understanding ourselves and the world.
My hope is that, when you finish one of them, you’ll never quite see the world in the same way again.
Here on my website you’ll find not only books and essays, but ways of understanding yourself and the world a little more clearly.
If you’re struggling with depression, or know someone who is, I’d like you to have this book—free of charge.
What if depression were a blessing as well as a curse? This is a book about how depression can have benefits as well as costs, and how to reap those benefits while making yourself feel better—better, in fact, than ever before.
Drawing on psychiatry, psychology, philosophy, and literature, Dr Neel Burton explores depression not only as an illness to be treated, but also as an opportunity for insight, growth, and transformation.
🏆Semi-finalist, the BookLife Prize
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A comprehensive, sympathetic, and thought-provoking guide for those who want to explore their depression in more depth.—The British Journal of Psychiatry
Neel is an incredibly insightful and elegant writer, with a deep knowledge of all he surveys.—Dr James Davies, psychotherapist, author of Cracked
I have read most of Dr. Neel Burton’s books and have enjoyed them immensely … All in all, I found this to be a very insightful and engaging book on depression.—Jamie Bee, Amazon.com Top 50 Reviewer
‘Plato is dear, but dearer still is truth’—a saying that captures Aristotle’s willingness to disagree with his teacher in the pursuit of truth, and his conviction that genuine friendship need never fear honest disagreement.
We have never had so many ways of connecting with other people, and yet so few close friends.
Many of us have hundreds or even thousands of online contacts, but no one we could call in the middle of the night. We move cities, change jobs, change partners, and change phones without thinking twice, and our friendships often prove just as disposable.
Aristotle would have regarded this not merely as a social problem, but as a human tragedy.
‘Without friends,’ he writes in the Nicomachean Ethics, ‘no one would choose to live, though he had all other goods.’
It is a remarkable claim.
Most of us think that, given enough money, success, health, freedom, and comfort, we could muddle along well enough on our own. Aristotle thought otherwise. Friendship is not simply one of life’s pleasures. It is one of its necessities.
Why We Need Friends
The ancient Greeks had several words for love, including eros for passionate or romantic love, and philia (the root of ‘bibliophile’ and ‘anglophile’) for friendship.
For Aristotle, philia is a virtue which is ‘most necessary with a view to living … for without friends no one would choose to live, though he had all other goods.’
Philia underpins not only personal happiness but the very health of the state. Friendship fosters trust, cooperation, generosity, forbearance, and even justice—for when friendship exists, justice is scarcely needed.
But friendship is not simply for enjoying and getting along. In its highest form, it is a vehicle of virtue, helping us to become better people.
The Three Forms of Friendship
Aristotle begins with a broad or minimal concept of philia. For one person to be friends with another, it is necessary, simply, ‘that [they] bear good will to each other, without this escaping their notice’.
A person may bear goodwill to another for one of three reasons: that they are useful; that they are pleasant; or that they are good—that is, rational and virtuous.
Friendships of utility are based on mutual advantage. We enjoy one another’s company because each has something to offer the other. Such friendships are common in business, politics, and everyday life, and there is nothing wrong with them. But remove the advantage, and they usually disappear.
Friendships of pleasure are based on enjoyment. We like another person’s wit, humour, charm, or shared interests. These friendships are especially common among the young, whose lives are often governed more by feeling than by settled character. They, too, tend to fade as tastes and circumstances change.
The highest form of friendship is based not on usefulness or pleasure, but on virtue. ‘Perfect friendship’, says Aristotle, is ‘the friendship of men who are good, and alike in virtue.’
Perfect friends are drawn to each other not because they expect anything in return, but because they genuinely admire and value one another’s character. They love their friend not for what he has or provides, but for who he is.
Now those who wish well to their friends for their sake are most truly friends; for they do this by reason of their nature and not incidentally; therefore their friendship lasts as long as they are good—and goodness is an enduring thing … And such a friendship is as might be expected permanent, since there meet in it in all the qualities that friends should have.
Another Self
A perfect friend, says Aristotle, is ‘another self’.
This does not mean someone who merely resembles us or always agrees with us. It means someone who cares enough, or is noble enough, to disagree with us and challenge us.
A true friend shares our deepest values, but also helps us to live up to them. We become better not by admiring virtue from afar, but by practising it together. Friendship is not merely the reward of virtue; it is one of the principal ways in which virtue is cultivated.
Every act of friendship is also an exercise in virtue. In being patient with our friend, we become more patient ourselves. In speaking honestly, we become more honest. In encouraging what is best in another person, we strengthen what is best in ourselves. Our good and their good are no longer competing like fishmongers: each one’s happiness adds to that of the other. We become, in the deepest sense, another self.
We may find an illustration of this ideal in Plato’s Phaedrus. Socrates and Phaedrus spend an afternoon walking in the Attic countryside while reflecting on the soul, love, and the art of persuasion. Their friendship is grounded not merely in pleasure, but in a shared pursuit of truth. At the end of their conversation, Phaedrus responds to Socrates’ prayer with the simple request: ‘Ask the same for me, for friends should have all things in common.’ Whether or not Aristotle had this dialogue in mind, it beautifully embodies his conception of perfect friendship.
Why Friendship Is Rare
Unfortunately, perfect friendship is uncommon.
First, it requires good character, and good character is itself uncommon. Second, it demands something that has always been scarce and may never have been scarcer than today: time.
Friendship cannot be hurried.
People only come to know one another by sharing experiences, surviving disappointments, forgiving offences, and gradually learning that they can be trusted. Like character itself, friendship grows slowly.
We live in a culture that prizes speed, convenience, novelty, and consumer choice. Relationships, like everything else, are expected to fit around our schedules and satisfy our needs. Friendship asks something very different of us. It requires attention, loyalty, respect, forbearance, and sometimes considerable sacrifice.
The Courage to Be Known
There is another difficulty.
Many of us have become so unaccustomed to genuine friendship that, when we encounter its possibility, we instinctively retreat from it.
A true friend is not simply someone who makes us feel better. He knows us. He sees through our pretences. He notices when we deceive ourselves. He quietly expects us to become better than we are.
That can be deeply unsettling.
We often say that we want people to accept us exactly as we are. Aristotle might have replied that a friend accepts us as we are while refusing to leave us there.
Perhaps that is why perfect friendship is so rare. It demands not only affection, but humility; not only loyalty, but the willingness to be changed.
Nowadays, it is all too easy to retreat into comfortable mediocrity.
Friendship and Happiness
Throughout the Nicomachean Ethics, Aristotle argues that happiness lies not in pleasure or success, but in living according to reason and virtue.
Friendship is one of the principal ways in which this becomes possible.
A good friend encourages what is best in us, restrains what is worst, and accompanies us in the long and difficult work of becoming the person we are capable of being. If we abandon a true friend, really, it is our own self that we are abandoning.
We tend to think of friendship as one of life’s pleasures.
Aristotle thought of it as one of life’s disciplines.
A good friend does not simply make us happier.
He helps us become better and bigger.
Continue Exploring
If you enjoyed this article on Aristotle’s philosophy of friendship, you’ll find much more in The Gang of Three: Socrates, Plato, Aristotle, which examines the lives, ideas, and enduring influence of the three greatest philosophers of antiquity.
How Socrates, Plato, and Aristotle Reimagined Happiness
We all say we want to be happy, but the pursuit of happiness often seems like a wild goose chase.
Maybe the problem is not so much with us, or the world we live in, but with the very concept of happiness.
The ancient Greeks had a much better concept. They called it eudaimonia, literally ‘good soul’, ‘good spirit’, or ‘good god’.
Although Socrates, Plato, and Aristotle understood eudaimonia in somewhat different ways, they all regarded it as the highest good, often even the very aim and purpose of philosophy.
What Is Eudaimonia?
Eudaimonia is often translated from Greek simply as ‘happiness’—but that is very misleading. The word ‘happy’, which is related to ‘happen’ and ‘perhaps’, derives from the Norse happ for ‘chance’, ‘fortune’, or ‘luck’. From Irish to Greek, most European words for ‘happy’ originally meant something like ‘lucky’—one exception being Welsh, in which it originally meant ‘wise’.
Another word for ‘happy’ or ‘fortunate’ in Old English is gesælig, which, over the centuries, morphed into our ‘silly’.
Eudaimonia, in contrast, is anything but silly. It has nothing to do with luck and everything to do with hard work. It is a much deeper, fuller, and richer concept than happiness, sometimes articulated in terms of flourishing or living a life that is worthwhile or fulfilling.
Many philosophical schools in antiquity thought of eudaimonia as the highest good, although schools such as Epicureanism and Stoicism conceived of it in somewhat different terms.
What can be said is that, unlike happiness, eudaimonia is not an emotion but a state of being—or even, especially for Aristotle, a state of doing. As such, it is more stable and reliable, and cannot so easily be taken away from us. Although it leads to pleasure or satisfaction of the deepest kind, it does not come from pleasure, but is according to higher values and principles that transcend the here and now.
The idea of eudaimonia evolved over time, especially across the three generations that separated Socrates, via Plato, from Aristotle—the three greatest philosophers of antiquity.
Socrates on Eudaimonia
Socrates, from what we can tell (mainly from his student Plato), equated eudaimonia with wisdom and virtue. In the Greater Alcibiades, he says that he who is not wise cannot be happy; in the Gorgias, that nothing truly bad can ever happen to a good man; and in the Meno, that everything the soul endeavours or endures under the guidance of wisdom ends in happiness.
In the Apology, at his trial, Socrates gives a defiant defence, telling the jurors that they ought to be ashamed of their eagerness to possess as much wealth, reputation, and honour as possible, while not caring for or giving thought to wisdom or truth, or the best possible state of their soul. ‘Wealth,’ he says, ‘does not bring about excellence, but excellence makes wealth and everything else good for men, both individually and collectively.’
Socrates provided the ultimate proof of his principle that ‘nothing truly bad can ever happen to a good man’. When the jurors condemned him to death, they only made him and his ideas immortal—and he did all he could not to prevent that from happening.
Plato on Eudaimonia
Plato was inspired by the example of Socrates. In the Republic, Plato’s brother Glaucon argues that most people are fundamentally selfish, but maintain a reputation for virtue and justice to evade the social costs of being or appearing unjust. But if a man could get hold of the mythical Ring of Gyges and make himself invisible, he would most surely behave as it suited him:
No man would keep his hands off what was not his own when he could safely take what he liked out of the market, or go into houses and lie with any one at his pleasure, or kill or release from prison whom he would, and in all respects be like a god among men.
We behave justly not because we value justice, but because we are weak and fearful; while the unjust man who is cunning enough to seem just will get the better of everyone and everything.
As part of his lengthy reply to Glaucon, Plato famously conjures up an idealised Republic to help him ‘locate’ (define) justice, first in the state and then in the individual. Plato argues that justice and injustice are to the soul as health and disease are to the body: If health in the body is intrinsically desirable, then so too is justice in the soul. For Plato, an unjust man cannot be happy because he is not in rational and ordered control of himself.
Aristotle embraced much of Plato’s account, but gave eudaimonia a broader and more practical meaning.
Aristotle on Eudaimonia
It is with Plato’s one-time student Aristotle and his Nicomachean Ethics that the concept of eudaimonia is most closely associated.
For Aristotle, a thing is best understood by looking at its end, purpose, or goal. For example, the purpose of a knife is to cut, and it is by seeing this that one best understands what a knife is; the goal of medicine is good health, and it is by seeing this that one best understands what medicine is, or ought to be.
Now, if one does this for some time, it soon becomes apparent that some goals are subordinate to other goals, which are themselves subordinate to yet other goals. For example, a medical student’s goal may be to qualify as a doctor, but this goal is subordinate to her goal to heal the sick, which is itself subordinate to her goal to make a living by doing something useful. This could go on and on, but unless the medical student has a goal that is an end in itself, nothing that she does is actually worth doing.
What, asks Aristotle, is this goal that is an end in itself? This ‘supreme good’, he replies, is eudaimonia, and eudaimonia only.
But what exactly does Aristotle mean by eudaimonia?
For Aristotle, it is by understanding the distinctive function of a thing that one can understand its essence. Thus, one cannot understand what it is to be a gardener unless one can understand that the distinctive function of a gardener is ‘to tend to a garden with a certain degree of skill’.
Whereas human beings need nourishment like plants, and have sentience like animals, their distinctive function, says Aristotle, is their unique and god-like capacity to reason. Thus, our supreme good is to lead a life that enables us to use and develop our reason, and that is in accordance with reason.
By living our life to the full according to our essential nature as rational beings, we are bound to flourish, that is, to develop and express our full human potential, regardless of the ebb and flow of our good or bad fortune.
Although Aristotle’s account proved the most influential, his was not the last word on the matter. The Cynics, Stoics, Epicureans, and Skeptics all regarded eudaimonia as the highest good, although they conceived of it in somewhat different terms. For the Cynics and Stoics, happiness depended less on flourishing than on living in accordance with nature and reason, and on cultivating an inner freedom that no amount of bad fortune could destroy. The Epicureans sought tranquillity through moderation, friendship, and freedom from unnecessary desires, while the Skeptics argued that peace of mind arises from suspending judgement about matters that cannot be known with certainty.
In recent decades, philosophers and psychologists have rediscovered eudaimonia as an alternative to the modern pursuit of pleasure or subjective happiness. Increasingly, they recognise that a good life depends not only on how we feel, but also on how we live.
‘Happiness’ is something that comes and goes. It is at the mercy of fortune and circumstance. A life well lived, however, is a treasure that no one and nothing can ever take away from you, and that will shine in the eyes of others long after you are dead.
Continue Exploring
If you enjoyed this history of eudaimonia, you’ll find much more in The Gang of Three: Socrates, Plato, Aristotle, which explores the lives, ideas, and enduring influence of the three greatest philosophers of antiquity.
Plato concludes The Republic with the myth of Er, a timeless story of death, judgment, reincarnation, and the soul’s freedom to choose its destiny. This fresh retelling and interpretation explores why it remains one of the greatest philosophical myths ever told.
The Myth of Er has had an enduring influence on the Western imagination, shaping, among other things, our inherited ideas of heaven, hell, and moral destiny. Although Plato presents the story as told by Socrates at the end of The Republic, it draws on older Greek and Near Eastern traditions of judgment after death, cosmic order, and the journey of the soul.
The Myth
Er, a soldier from Pamphylia, was slain in battle. Twelve days later, as his body lay on the funeral pyre, he returned to life and told those around him what he had seen in the interval between death and rebirth.
During those twelve days, his soul had journeyed to a strange meadow marked by four openings: two leading upward into the heavens, and two descending into the earth below.
Judges sat in this meadow and assigned souls according to their conduct in life. The just were directed to the right and upward, ascending through one of the openings into the heavens; the unjust were directed to the left and downward, descending into the earth.
At the same time, other souls were returning. Bright, cheerful souls descended from above, having completed a thousand-year reward in the heavens. They spoke joyfully of what they had experienced. By contrast, other souls rose up from below, exhausted and in pain, describing a thousand-year punishment in the depths of the earth.
When Er approached the judges, he was told that he was not to be judged. Instead, he was to observe and later report what he had seen to humanity.
After seven days in the meadow, the souls set out on a further journey of five days, eventually arriving at the Spindle of Necessity.
This was a vast column of light, brighter than anything they had ever seen, extending through the cosmos and holding together the movements of the sun, moon, planets, and stars. The structure of the heavens rotated like a spindle, with concentric circles turning within one another.
At its centre stood Necessity, or Ananke, attended by her three daughters, the Fates. In each of the celestial circles sat a Siren, each producing a single note, so that together they formed a cosmic harmony.
When all the souls had gathered, a prophet announced:
“Hear the word of Lachesis, daughter of Necessity. Mortal souls, you are entering a new cycle of life and death. Your destiny will not be assigned to you, but chosen by you. The one who draws the first lot shall choose first; and the life chosen shall become his fate.”
The souls then came forward in order and selected their next lives from a vast assortment of human and animal forms.
The first to choose, having seen neither reward nor punishment in a way that had truly reshaped him, hastily selected the life of a tyrant. Only later did he discover that this life entailed horrors he had failed to foresee, including the destruction of his own family. His earlier virtue had been habitual rather than reflective; he had never truly understood what made a life good.
By contrast, many of those returning from punishment in the underworld, having suffered greatly, now chose more moderate and balanced lives. But their choices were often driven by fear and aversion rather than understanding.
Last of all came Odysseus, the man of many ways. Having experienced the extremes of fortune and glory, he searched for a long time before finding the life of an ordinary private man, overlooked by everyone else. Delighted with his discovery, he remarked that he would have made the same choice even if he had been first to choose.
Once all souls had chosen, they travelled to the plain of Forgetfulness. There they encamped by the River Lethe. Each soul was required to drink from the river, and in doing so forgot everything it had previously known. Some, still unsteady from desire or confusion, drank more than they needed.
In the night, as they slept, the souls rose upward like stars and were reborn into their chosen lives. At that moment, Er awoke to find himself once again on his funeral pyre.
Interpretation of the Myth
At the beginning of The Republic, Plato’s brother Glaucon challenges Socrates with a stark claim: most people are not just; they merely behave justly when it is advantageous to do so. If they could act unjustly without consequence, they would.
In response, Socrates constructs an elaborate account of justice—not as social convention or reputation, but as something belonging to the inner structure of the soul. Just as health is not merely the appearance of the body but its proper functioning, justice is the harmonious ordering of the self. An unjust soul, however successful it may appear externally, is internally disordered.
The myth of Er comes at the end of this argument, and one of its purposes is to show that justice does, in the end, prevail. Although the just may suffer and the unjust prosper in this life, each soul ultimately receives its due. In this sense, the myth answers Glaucon’s challenge: justice is not merely socially convenient, but intrinsically valuable, because it orders the soul. The myth suggests that such a soul is ultimately rewarded.
But the myth does something more than reassure us that justice is eventually rewarded and injustice punished. It explores something more unsettling: how easily souls can misjudge what is good for them, even after they have seen the consequences of their choices.
The problem Plato is concerned with is not only moral weakness, but moral blindness. Even a thousand years in heaven or hell does not guarantee wisdom. Some souls, having endured punishment, choose more carefully; others, despite every opportunity to learn, repeat their mistakes. Experience alone is not enough. Suffering may teach caution, but only philosophy teaches understanding.
Within this framework, justice is not simply about behaving correctly, but about forming a soul capable of recognising what is truly good. Without such understanding, even freedom of choice can become dangerous. The tyrant’s error lies not merely in his lust for power, but in his ignorance about the kind of life he is selecting. His failure is epistemic before it is moral.
Yet reward and punishment alone are not enough. The deeper concern of the myth is the formation of character. We do not choose wisely merely because we have suffered, nor because we have prospered, but because we have learnt to distinguish appearance from reality and the merely desirable from the truly good.
Odysseus, at the end of the myth, provides the final illustration. Having experienced the extremes of human life, he passes over lives of power and renown to choose that of an ordinary private man. It is one of the most quietly profound moments in Greek literature. The greatest of heroes no longer seeks greatness, but peace. His choice suggests that wisdom lies not in acquiring more, but in learning what is enough.
In the end, the myth of Er is less a literal description of the afterlife than a meditation on justice, character, and choice. Plato affirms that justice is ultimately rewarded, but he also insists that reward alone is not enough. A good life depends not merely on receiving one’s due, but on acquiring the wisdom to recognise what is truly worth choosing.
A psychiatrist and philosopher interprets the Myth of Chiron.
The Education of Achilles, by Bénigne Gagneraux (1785).
The earliest references to Chiron date to the Homeric epics, in which he is praised as ‘the wisest and justest of all the centaurs’. His story was later elaborated by poets including Pindar, Apollonius of Rhodes, Ovid, and Hyginus. Today, Chiron is best known as the archetypal wounded healer.
The Story
Fated to be overthrown by one of his children, the Titan Cronus devoured each of them at birth. Only Zeus escaped, hidden by his mother Rhea on Crete. While searching for him, Cronus lusted after the Oceanid Philyra. To hide from Rhea, he took the form of a stallion and mounted Philyra. In due course, Philyra gave birth, with great pain, to a child named Chiron, with the upper body of a man and lower body of a horse. Seized with shame and disgust at the sight of this monster, she abandoned him on Mount Pelion in Thessaly.
Fortunately, Chiron was found and reared by Apollo, who taught him the healing arts, music, and prophecy, while Apollo’s twin sister Artemis taught him archery and hunting. Chiron excelled in every field. It is sometimes said that he invented pharmacy, medicine, and surgery. Indeed, the name ‘Chiron’ means ‘hand’ [Greek, kheir] or ‘skilled with the hands’, and is related to our ‘surgeon’ [kheir + ergon, ‘handworker’].
For his learning and temperament, Chiron was highly sought after as a tutor. His pupils included many of the greatest heroes, including Perseus, Theseus, Jason, the Telamonian Ajax (Ajax the Great), Patroclus, and, of course, Achilles. Chiron had a special bond with Achilles, having advised Peleus, his father, how to win over his mother Thetis.
Wounded in the thigh by one of Paris’ arrows, Eurypylus, leader of the Thessalians in the Trojan War, cried out to Patroclus:
I want you to cut out this arrow from my thigh, wash off the blood with warm water and spread soothing ointment on the wound. They say you have some excellent prescriptions that you learnt from Achilles, who was taught by Chiron…
While pregnant by Apollo, the Thessalian princess Coronis let herself be seduced by the mortal Ischys. For this, Artemis killed Coronis and her family with her arrows. But, by performing the first caesarean section, Apollo rescued their unborn child from the funeral pyre and gave it to Chiron to be raised. That child was Asclepius, god of medicine.
Whereas the centaurs were notorious for being violent and lustful, Chiron, the foster child of Apollo, was all culture and civilization. Unlike the other centaurs, he was often depicted clothed rather than naked, and with human rather than equine legs. As half-brother to Zeus, he came from a completely different line from the other centaurs, who were born of Ixion and Nephele.
During his fourth labour to capture the Erymanthian boar, Herakles [Hercules] visited the centaur Pholus in his cave. When Pholus opened a bottle of wine given by Dionysus, the fragrant nose attracted the other centaurs and drove them into a frenzy. Herakles defended the cave by raining arrows dipped in the blood of the Lernaean hydra, which he had killed on his second labour. One of the arrows hit Chiron, who, although friends with Herakles, got caught in the mêlée.
For all his knowledge and skill Chiron could not heal his festering wound, which became unbearably painful. But being the immortal son of Cronus, neither could he die. In the end, he or Herakles struck a bargain with Zeus, whereby he would exchange his immortality for the freedom of Prometheus, who had been bound for all eternity to a rock for stealing fire from the gods and delivering it to humankind. Every day, an eagle pecked out Prometheus’ immortal liver, only for it to grow back overnight.
After Chiron’s death, Zeus at long last freed Prometheus, and fixed Chiron in the firmament as the constellation Sagittarius or Centaurus.
Interpretation
Chiron is twice-wounded, once at birth, and again towards the end of his life.
The first wound is a deep emotional wound that comes from being a child of rape who is rejected by both of his parents. He is quite literally a monster, and now also an orphan and an outcast.
Being half-man and half-horse, Chiron embodies the conflict within us between instinct and reason, between the Dionysian wildness of the other centaurs and the Apollonian light and order of his foster father. Unlike the other centaurs, however, Chiron sides firmly with Apollo. He devotes himself to knowledge, medicine, music, and prophecy, striving not only to master these arts but to compensate for his early rejection and prove—to himself as much as to others—that he is worthy of love.
A similar pattern can be discerned in that other rejected god, Hephaestus, cast out of Olympus by his mother Hera on account of his deformity. Despite this, or, rather, because of this, Hephaestus as the blacksmith of the gods spends his life creating objects of great beauty and utility, such as Helios’ chariot, Hermes’ winged helmet and sandals, and Achilles’ armour. Hephaestus even gets the girl, marrying Aphrodite, goddess of love.
Chiron turns in particular to the healing arts as a means of healing himself, and not only himself but others too. He spreads the light, giving to others that which he himself most needs or needed. Rather than allowing the original wound to fester, he finds within it a source of motivation, even of inspiration, that leads him to great insight and achievement. This in turn invites, or rather imposes, a sense of purpose and service or duty that ennobles and enriches his life in ways that the other centaurs could not even begin to imagine.
In the words of the Persian poet and mystic Rumi (d. 1273):
Your doctor must have a broken leg to doctor
Your defects are the ways that glory gets manifested.
Whoever sees clearly what’s diseased in himself
Begins to gallop on the Way
…
Don’t turn your head. Keep looking at the bandaged place.
That’s where the light enters you.
In The Meaning of Madness, I argue that mental disorders in particular are not just problems. If successfully navigated, they can also present opportunities. Simple awareness of this can empower people to heal themselves and, much more than that, to grow, and live, through their experiences.
Chiron’s second wound is caused by the superego, represented by Herakles, battling against the id, represented by the centaurs riled up by the Dionysian wine. Instead of reconciling himself with the dark side, Herakles desperately fights against it, potentially hurting himself and others in the process—as he does his friend Chiron.
Chiron’s stoical decision to die in the face of unbearable and incurable pain, especially in light of his immortality, raises profound, and surprisingly modern, ethical questions about euthanasia and the desirability of immortality, questions that have never been more pertinent than today.
Chiron is a rare if not unique instance of a god who dies, and, more than that, chooses to die (unlike, say, Jesus). But even in dying, he gives himself up to another. Just like he sublimed his life into wisdom, art, and love, so he sublimed his death into an act of service and sacrifice.
And it is fitting that Chiron’s sacrifice is to a god so similar to himself: a great friend of humankind, and wounded for it, wounded, like we all are, for bridging the divide between the mortal and the divine. This is the second wound, the wound in our mortal body, the wound that will not heal.
And so the story of Chiron is the story of how we might be able to cope with the psychological distress and ineluctable physical defeat that is part and parcel of the human condition.
Here is how Rumi ended his poem:
Don’t turn your head. Keep looking at the bandaged place. That’s where the light enters you. And don’t believe for a moment that you’re healing yourself.
Like Chiron, we cannot always choose our wounds. But we can choose what we make of them.
Continue exploring myth
If you enjoyed this interpretation of Chiron, you’ll find many more like it in The Meaning of Myth.
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