Ever Met a Clever Fool? Why Intelligence Alone Is Not Enough
Caspar David Friedrich’s Wanderer above the Sea of Fog (c. 1818). Greater perspective is the beginning of wisdom.
By Dr Neel Burton — Psychiatrist, philosopher, and wine writer; Fellow of Green Templeton College, University of Oxford; author of over twenty books.
Every time I utter the word ‘wisdom’, someone giggles or sneers. Wisdom, more so even than expertise, does not sit comfortably in an egalitarian, anti-elitist society. In an age dominated by materialism and consumerism, science and technology, and specialization and compartmentalization, it is too loose, too grand, and too mysterious a concept. With our heads in our smartphones and tablets, in our bills and bank statements, we simply do not have the time or mental space for it—or even the idea of it.
But things were not always thus.
The word wisdom features 222 times in the Old Testament, which includes all of seven so-called ‘wisdom books’: Job, Psalms, Proverbs, Ecclesiastes, the Song of Solomon, the Book of Wisdom, and Sirach.
Here is Ecclesiastes 7:12:
For wisdom is a defence, and money is a defence: but the excellency of knowledge is, that wisdom giveth life to them that have it.
The word philosophy literally means ‘the love of wisdom’, and wisdom is the overarching aim of philosophy—or, at least, ancient philosophy.
In Plato’s Lysis, Socrates tells the young Lysis that, without wisdom, he will be of no worth to anyone:
And therefore, my boy, if you are wise, all men will be your friends and kindred, for you will be useful and good; but if you are not wise, neither father, nor mother, nor kindred, nor anyone else, will love you.
The patron goddess of Athens, the city in which the Lysis is set, is none other than Athena, goddess of wisdom, who sprang out from the skull of Zeus. Her symbol, and the symbol of wisdom, is the owl, a bird of prey which cleaves through darkness.
Indeed, wisdom derives from the Proto-Indo-European root weid-, ‘to see’. In Norse mythology, Odin gouged out one of his eyes and offered it to Mimir in exchange for a drink from the well of knowledge and wisdom, symbolically trading one mode of perception for another, higher one.
Is Wisdom the Same as Knowledge?
People often speak of ‘knowledge and wisdom’ as though they might be closely related or even the same thing. So one hypothesis is that wisdom is knowledge, or a great deal of knowledge. But if wisdom is knowledge, then it has to be a certain kind of knowledge, or else learning the telephone directory, or the names of all the rivers in the world, might count as wisdom.
Nor can it simply be scientific or technical knowledge, or else every contemporary person would be wiser than the wisest of ancient philosophers. Any twenty-first-century school-leaver would be wiser than a Seneca or Socrates.
Remember: the Delphic oracle pronounced Socrates the wisest of all people not because he knew everything, or even very much, but because he knew the extent of what he did not know.
Still, there seems to be more to wisdom than mere ‘negative knowledge’, or else I could simply be super-sceptical about everything and count myself wise.
Or maybe wisdom consists in having high epistemic standards, that is, in having a high bar for believing something, and an even higher bar for calling that belief knowledge. But then we are back to a picture of wisdom as something like science…
So Is Wisdom Simply Correct Opinion?
In Plato’s Meno, Socrates notices that people of wisdom and virtue seem remarkably poor at imparting those qualities. Themistocles was able to teach his son Cleophantus skills such as standing upright on horseback and throwing the javelin, yet no one ever credited the poor wretch with anything like his father’s wisdom—and the same could also be said of Lysimachus and his son Aristides, Pericles and his sons Paralus and Xanthippus, and Thucydides and his sons Melesias and Stephanus.
If wisdom cannot be taught, how, asks Meno, did good people come about? Socrates replies that right action is possible under guidance other than that of knowledge. A person who has knowledge of the road to Larisa (a city-state in Thessaly) may make a good guide. But a person who has only correct opinion about the road, despite never having travelled it, might make an equally good guide.
Knowledge and correct opinion can therefore lead to the same destination.
Since wisdom cannot be taught, it cannot be knowledge; and if it cannot be knowledge, it can only be correct opinion—which explains why paragons of wisdom such as Themistocles, Lysimachus, and Pericles were unable to impart their wisdom even unto their own sons.
Wise people, says Socrates, are no different from soothsayers, prophets, and poets, who say many true things when they are divinely inspired but have no real knowledge of what they are saying.
Or Is Wisdom the Same as Understanding?
Aristotle gives us another clue in the Metaphysics, when he says that wisdom is the understanding of causes. None of the five senses are regarded as wisdom because, although they provide the most authoritative knowledge of sensible particulars, they are unable to discern the more distant causes of anything.
Similarly, we suppose artists to be wiser than artisans because artists know the ‘why’ or cause, and can therefore teach, whereas artisans do not, and cannot.
In other words, wisdom is the understanding of the right relations between things, which calls for more distant and elevated perspectives, and perhaps also the ability or willingness to shift between perspectives.
In the Tusculan Disputations, Cicero cites as a paragon of wisdom the pre-Socratic philosopher Anaxagoras, who, upon being informed of the death of his son, simply said, “I knew that I begot a mortal.”
For Cicero, true sapience consists in preparing oneself for every eventuality, so as never to be taken—or overtaken—by surprise. And it is true that wisdom, the understanding of causes and connexions, has forever been associated with both insight and foresight.
What, Then, Is Wisdom?
Wisdom is not so much a kind of knowledge as a way of seeing, or ways of seeing.
When we take a few steps back, like when we stand under the shower or go on holiday, we begin to behold the bigger picture. In common parlance, ‘wisdom’ has two opposites: ‘foolishness’ and ‘folly’, which both derive from the Latin follis (‘bellows’, ‘bag’) and involve, respectively, lack and loss of perspective.
In cultivating a broader perspective, it helps, of course, to be knowledgeable, but it also helps to be intelligent, reflective, open-minded, and disinterested—which is why we often seek out and pay for independent advice.
Above all, it helps to be courageous, because the view from on high, though it can be exhilarating, and ultimately liberating, is at first terrifying—not least because it conflicts with so much that we have been taught or enculturated to think.
Courage, said Aristotle, is the first of the human qualities, because it is the one which underwrites all the others.
In the early twentieth century, digs on Crete, led by Sir Arthur Evans, uncovered the remains of a complex civilization whose people Evans called the Minoans after the mythical King Minos. The Minoans flourished from around 3000 to 1500 BCE, and their society came to revolve around a series of palace complexes, the largest of which was at Knossos in the north of the island.
The Minoans grew rich from trade and acquired a hold on some of their neighbours, including perhaps on the city of Athens. According to myth, King Minos exacted out of Athens a nine-yearly tribute of seven boys and seven girls, to be thrown to the illegitimate son of Minos’ queen Pasiphae, the half-man, half-bull Minotaur, imprisoned in the labyrinth beneath the royal palace at Knossos.
But when the time came for the third tribute, Theseus, the founder-hero of Athens, took the place of one of the sacrificial boys in a daring bid to end this barbaric practice. Theseus killed the Minotaur with some help from Minos’ daughter Ariadne, who had given him a ball of red thread by which to retrace his steps out of the labyrinth. Theseus escaped with Ariadne but later abandoned her on the island of Naxos, to be wedded by the god Dionysus.
The myth of the Minotaur served in part to account for the shift in power from Minoan Crete to Mycenaean Greece, and, later, to Athens, and it is significant that Theseus also unified Attica under Athens, laying the foundation for the later Athenian Empire. The Mycenaeans flourished from around 1750 to 1050 BCE, with important centres, each built around a fortified palace, at Mycenae, Pylos, Thebes, and Athens, among others. They were dominated by a warrior aristocracy, and advanced by conquest rather than by trade as the Minoans had done. Their greatest achievement, sung by Homer, was the conquest of Troy in around 1250 BCE.
Towards the close of the Bronze Age, the Mycenaeans may have come under increasing pressure from the Dorians to the north. Whatever its cause, it took some three hundred years for Greece to recover from the demise of the Mycenaeans. During these Dark Ages, old trade links dissolved, the arts and crafts regressed, and famine set in. Many Greeks took to the seas in search of arable land, beginning a culture of colonization.
Looking to the upside, the disintegration of the rigid hereditary hierarchy of the Mycenaeans prepared the ground for a more open society, leading, in due course, to Athenian democracy. In particular, the loss of the Mycenaean king, or wanax, led to a loosening of the bond between myth and ritual so that myth became more detached and disinterested, paving the way for literature and philosophy.
The Mycenaean Linear B script, used for administration and mainly found in palace archives, fell into desuetude during the Dark Ages. Consisting of 87 syllabic and over 100 ideographic signs, Linear B derived from the as yet undeciphered Linear A, used by the non-Greek Minoans to record their mysterious language or languages.
By 770 BCE, close contact with the Phoenicians in the east led to the adoption of a phonetic system of language notation. The Greeks adapted the Phoenician abjad (an alphabet with only consonants), which had been developed for a semitic language, to include vowels, thereby creating the basis for our own modern alphabet.
Significantly, this phonetic script was no longer the preserve of an elite of priests and scribes, used to reaffirm royal power, but a common good, used, more and more, to argue and debate and question the status quo. Life in the emerging city-states [poleis] no longer centred on the royal acropolis, now turned over to the gods, but on the public square or agora, and the nearby law courts where large citizen juries listened to long, elaborate speeches and grew familiar with the concept of objective truth.
The Pre-Socratics and their significance
In Plato’s Protagoras, Socrates numbers Thales of Miletus (c. 624-c. 548 BCE) among the Seven Sages of Greece. Thales held that the Earth floats on water, which is the primary substance from which all else is made. ‘Presumably’ says Aristotle, ‘he derived this assumption from seeing that the nutriment of everything is moist…’ Or perhaps he derived it from similar Egyptian, Babylonian, and Hebrew accounts of creation. But in a break with these traditions, he sought to explain the world without resorting to myths and gods, which is why he is often regarded as the first genuine philosopher, as well as the first genuine scientist. When Bertrand Russell (d. 1970) declared that ‘philosophy begins with Thales’, he was, in fact, merely agreeing with Aristotle.
Anaximander of Miletus (c. 610-546 BCE) took Thales as a model and starting point. Like Thales, he sought for the primary substance, or arkhē, which he identified not with water but with apeiron [‘the boundless’]. The Earth, he held, is a cylinder with a height of one-third of its diameter. Thales had claimed that the Earth floats upon water, without specifying what the water might rest upon. Anaximander got round this problem by positing that the cylinder need not be supported: because it is in the middle of everything, there is no reason for it to move in one direction over another. As far as we know, this is the oldest argument founded on the principle of sufficient reason, according to which every instance of change requires a reason or cause.
Anaximenes of Miletus (c. 586-c.526 BCE), a contemporary of Anaximander, rejected apeiron and replaced it with his own arkhē, aēr [air, but also mist and vapour]. The Earth is a flat disc that floats on a cushion of aēr. Anaximenes elaborated upon Thales and Anaximander by positing a mechanism, or two mechanisms, rarefaction and condensation, by which his arkhē might pass into and out of everything else. When aēr is rarefied, it becomes fire; when it is condensed, it becomes wind, then cloud, then water, then stones… To support this thesis, Anaximenes appealed to a simple experiment: when one exhales on one’s hand, the air is hot; but if one blows through pursed lips, the air becomes cold and dense. With his emphasis on change and its process, Anaximenes might be thought of as a forerunner of Heraclitus. The Milesian search for the basic material out of which all things are made may sound quaint and quixotic, until we remember that it is the same quest that our nuclear physicists are embarked upon—this time with the help of giant particle accelerators.
After the downfall of Miletus in 494 BCE, the epicentre of philosophy shifted westwards, away from Ionia and towards Athens and the cities of Italy. At the age of 40, Pythagoras of Samos (c. 560-c. 495 BCE), a contemporary of Anaximander and Anaximenes, left Samos for Croton in southern Italy, where he established a philosophically minded religious community. Music played an important role in Pythagoras’ community. Pythagoreans recited poetry, sang hymns to Apollo, and played on the lyre to cure illnesses of body and soul. One day, or so the story goes, Pythagoras passed by some blacksmiths at work, and found that their hammering produced especially pleasing sounds. He then noticed that their anvils were simple ratios of one another, one being half the size of the first, another twice the size, and so on. This insight led to his ‘harmony of the spheres’, according to which the movements of the heavenly bodies are in a mathematical relationship akin to that between musical notes, and, together, amount to a grand cosmic symphony. Some two thousand years later, the astronomer Johannes Kepler (d. 1630) held that, though inaudible, this ‘music of the spheres’ might nonetheless be heard by the soul. In the Metaphysics, Aristotle says that Plato’s teachings owed much to those of the Pythagoreans; so much, in fact, that Bertrand Russell upheld not Plato but Pythagoras as the most influential of all philosophers. Pythagoras’ influence is perhaps most evident in Plato’s emphasis on mathematics, and, more generally, reason and abstract thought, as a secure basis for the practice of philosophy.
Xenophanes (c. 570-c. 478 BCE) came from Colophon in Ionia, but left in his mid-twenties and ‘tossed about the Greek Land’ for 67 years—as he himself tells us in one of his 45 surviving fragments. He clearly knew of Pythagoras, whom he discusses in Fragment 7. Xenophanes criticized the likes of Homer and Hesiod for anthropomorphizing the gods (conceiving of them in human form) and portraying them as immoral or amoral. But far from being an atheist, he instead suggested that there is ‘one god, the greatest among gods and men, neither in form like unto mortals nor in thought’. He held that the primary substance is earth, while also acknowledging the importance of water to life. From the existence of inland fossils, he inferred that the earth had at one time been covered by the sea. Despite pronouncing himself on the weightiest matters, he warned that secure knowledge is impossible: ‘There never was or will be a man who has certain knowledge about the gods and about all the things I speak of. Even if he should chance to say the complete truth, yet he himself knows not that it is so.’ This subtle and original distinction between knowledge and true belief is further developed by Plato in the Theaetetus. Another skeptical (or proto-skeptical) point made by Xenophanes is that our perceptions and beliefs are relative and context-dependent: ‘If god had not made brown honey, men would think figs far sweeter than they do.’
Parmenides of Elea (c. 515-c. 440 BCE) in southern Italy may have been acquainted with Xenophanes, whose work he knew. In contrast to his contemporary Heraclitus (c. 535-475 BCE), who held that everything is in a state of flux (as epitomised by his saying that you cannot step twice into the same river), Parmenides argued that nothing ever changes. He wrote a poem, On Nature, which begins with a proem in which the narrator (presumably himself) ascends to the abode of an unnamed goddess.
To her guest, the goddess reveals the nature of reality, or ‘Way of Truth’—which I shall paraphrase for you:
What is, is, and it is impossible for it not to be. And what is not is not, and it is impossible for it to be. One cannot conceive of what is not, because one cannot think or speak about nothing. Conversely, if one can think or speak about something, then that thing must be, ‘for thought and being are the same.’ It being possible to think about reality, reality must be—and if it is, it cannot not be. Something cannot come into being, or pass out of being, because something cannot come into being from nothing, or pass from something into nothing. Thus, if something comes into being, it does so not from nothing but from something—so that it does not really come into being at all. From this, it follows that there can be no becoming and thus no real change, even though sense experience tells us otherwise. Motion is impossible because it would require moving into a void, that is, moving into nothing, which does not exist. If motion and change are impossible, the universe must consist of a single, undifferentiated, and indivisible unity—which Parmenides called, ‘the One’.
To bolster the philosophy of Parmenides, his follower and lover Zeno of Elea produced a set of paradoxical arguments such as ‘Achilles and the Tortoise’ designed to undermine ordinary beliefs about motion, space, time, and plurality. Aristotle outlines ‘Achilles and the Tortoise’ in the Physics: ‘In a race the quickest runner can never overtake the slowest, since the pursuer must first reach the point whence the pursued started, so that the slower must always hold a lead.’
What is new and revolutionary about ‘the Way of Truth’ is that it consists in a long chain of strictdeductive argumentation from premises that are taken to be necessary truths. The conclusion, startling though it is, seems to follow necessarily from the premises, posing a serious challenge to anyone defending a different or commonsense position. Two thousand years later, Descartes would embark on a similar project in search of truths deemed to be incontrovertible.
The pre-Socratics conceived of the universe as an ordered whole. They attempted to explain its fundamental features without resorting to myths and gods. Instead of accounting for the here and now by the supposed beginning, they accounted for the supposed beginning by the here and now. In so doing, they gave rise to the very idea of philosophy and science, and, more pertinently for us, to the rules or principles of reasoning on which they rely. Reason, after all, is the understanding of causes, which is why it is called ‘reason’. What may have come as a surprise to them, especially after Parmenides, is that reason could conflict with ordinary sense experience—perhaps more so even than mythology and religion.
Other scientific or academic attitudes adopted by the Pre-Socratics include conceiving of the world as intelligible; searching for knowledge for its own sake; asking bold questions without fear or favour; developing and manipulating abstract concepts; and privileging elegant and economical explanations.
At the same time, many pre-Socratics, such as Pythagoras and Empedocles, retained something of a mystical streak. Like the mythologists of old, they were more interested in cosmogony than in uncovering the laws of nature, that is, more interested in grand narratives than in formulating empirically verifiable hypotheses. Although familiar with the work of their forebears and contemporaries—and, it seems, highly driven by it—they did not rigorously critique one another in the way that Aristotle would do in writing a whole book on (or against) Democritus.
The Sophists
Now down from the ivory towers and back to the budding assemblies and law courts. The sophistic movement, which revolved around Golden Age Athens (480-404 BCE), owed to a concatenation of unusual social and political circumstances, not least: a renewed sense of self-confidence and optimism fuelled by the improbable repulsion of two Persian invasions; the great wealth flowing in from the maritime empire that had grown out of an anti-Persian defensive alliance; and an extreme participatory democracy in which the power to speak was the power to lead. Political power, however, was a double-edged sword, since prominent citizens were vulnerable to vexatious lawsuits—and, rather than hiring a lawyer, had to mount their own defence.
In this climate, the ability to speak became paramount, and the sophists—essentially teachers of rhetoric—converged upon Athens to deliver public lectures and private classes, typically to young aristoi with worldly ambitions. Other Greek poleis, especially in Sicily and Italy, also called upon their services, so that the chief sophists were continually on tour. When in Athens, they would often reside at the house of a patron such as the magnate Callias, at whose house Plato’s Protagoras is set, or the politician Callicles, at whose house Plato’s Gorgias is set. According to Plato, Callias owned ‘the greatest and most glorious house in Athens’ [Protagoras 337d] and ‘spent a world of money on the sophists’ [Apology20a].
In the Protagoras, Plato intimates that Protagoras invented the role of the professional sophist. Protagoras gravitated towards Athens and so impressed Pericles that, in 444, Pericles invited him to draft the constitution of Thurri, his experimental panhellenic colony on the Tarantine Gulf—settled, among others, by the historian Herodotus and the orator Lysias. Protagoras is perhaps best remembered for his maxim that ‘man is the measure of all things’, attacked in Plato’s Theaetetus on the grounds that, if true, nothing could be inherently true or false, or right or wrong—not even the maxim itself. According to Protagoras, the value of an opinion lies not in its truth but in its usefulness to the person who holds it, a slippery position that could readily be seized upon by scoundrels in search of self-justification.
Protagoras is also remembered for the outré opening of his lost work, About the Gods:
About the gods, I cannot be sure whether they exist or not, or what they are like to see; for many things stand in the way of the knowledge of them, both the opacity of the subject and the shortness of human life.
Protagoras charged extortionate fees for his services. According to Aulus Gellius, he once took on a pupil, Euathlus, on the understanding that he would be paid once Euathlus had won his first court case. However, Euathlus never won a case, and after a time Protagoras sued him for non-payment. Protagoras argued that if he won the case he would be paid, and if Euathlus won the case, he would still be paid, because Euathlus would then have won a case. Euathlus, having assimilated the methods of his master, retorted that if he won the case he would not have to pay, and if Protagoras won the case, he still would not have to pay, because he still would not have won a case! This so-called Paradox of the Court, and the concomitant Counterdilemma of Euathlus, is also told of Corax [‘Crow’] of Syracuse and his student Tisias, the nominal founders or inventors of rhetoric. One version ends with the judge throwing them both out of the court with the words, Kakou korakos kakon ōon [‘A bad egg from a bad crow’].
Sophistês [‘expert’] derives from sophos [‘wise’], and originally designated one who is learnt or skilled in a particular art or craft. But the term began to acquire derogatory connotations even before Plato, who held most sophists in contempt. The comedian Aristophanes had assimilated Socrates with the sophists, leading, ultimately, to the charges of impiety levied against the philosopher. To rehabilitate the reputation of Socrates, Plato laboured the contrast between Socrates and the sophists, whom he portrayed as venal and amoral and nothing like his poor and pious teacher. As a result, ‘sophistry’ has come to mean something like, ‘the self-interested use of clever but deceptive arguments.’ In an attempt to demarcate and elevate philosophy as a discipline, Plato also sought to undermine poets and orators and all those with a rival but less rigorous claim to the truth.
To be fair to Plato, it does seem that many sophists had a strong and potentially self-serving skeptical streak. Although they did raise many profound questions, they seemed more interested in expediency than in knowledge per se—their primary purpose being to create effective public speakers and enrich themselves in the process, without due regard for the consequences of creating a cohort of venal and amoral leaders. Their habit of undermining the traditional gods turned many conservatives and ordinary people against them, and, ultimately, against Socrates, who was condemned by (false) association.
Socrates and Plato
According to Plato, Socrates had an impetuous friend called Chaerephon, who one day went to Delphi and asked the oracle whether there was anyone wiser than Socrates. The oracle replied that there was no one wiser. Knowing only that he knew nothing, Socrates was perplexed. To discover the meaning of the oracle, he questioned several supposedly wise men—first the politicians, then the poets, and then the artisans—and in each case concluded: ‘I am likely to be wiser than he to this small extent, that I do not think I know what I do not know.’
Socrates was the wisest of men not because he knew everything or anything, but because he knew what he did not know—or, more subtly, because he knew the limits of the little that he did know. In contrast to the pre-Socratics and especially to the sophists, he seldom claimed to have any positive knowledge; whenever he did, it was always because he had learnt it from somebody else, or because he had been ‘divinely inspired’.
The ever-elusive Plato might also have intended the oracle story as an origin myth for the Socratic method, or method of elenchus, which consists in questioning one or more people about an ethical concept such as justice or virtue with the covert aim of exposing a contradiction in their initial (and often cherished) assumptions and provoking a reappraisal of the concept. As the process is iterative, it leads to an increasingly precise or refined definition of the concept, and, in due course, to a shared recognition that it eludes our understanding and that we know much less than we thought we did. With our dogmatism transmuted into a state of puzzlement and suspended judgement, we are ready to become much more open and subtle thinkers—assuming, of course, that we did not first become angry and resentful.
To have our understanding of a moral concept undermined is also to have our values undermined, and, with that, our sense of self. To manage their anger and other feelings, and to keep them talking, Socrates often flattered his interlocutors while himself playing the fool. In the Orator, Cicero esteems that, ‘for irony and dissimulation, [Socrates] far excelled all other men in the wit and genius which he displayed.’ Simon Blackburn in the Oxford Dictionary of Philosophy defines Socratic irony with brio as ‘Socrates’ irritating tendency to praise his hearers while undermining them, or to disparage his own superior abilities while manifesting them.’
Although Socrates may have perfected the method of elenchus, it is unlikely that he independently originated a mode of conversation that seems so naturally and fundamentally human. But it remains that while the sophists tried to make a show of their knowledge, Socrates tried to make a show of his and everyone else’s ignorance.
Behind the Socratic method, that is, the method of elenchus as perfected by Socrates, lies the search for rigorous definitions—because it helps, if one is to pronounce on something, to know exactly what that something is. For instance, in Plato’s Meno, Socrates tasks the aristocrat Meno with defining virtue; in the Laches, he tasks the general Laches with defining courage; and in the Euthyphro, he tasks the priest-prophet Euthyphro with defining piety. That Meno, who is philosophically trained, struggles to understand what Socrates is asking of him suggests that this search for rigorous definitions is something original and radical. For Socrates, it is not enough simply to define a concept in terms of itself or related concepts, or by a list of its instances, or according to convention or popular opinion (‘piety is what the gods all love’). Instead, a rigorous definition is one which, by picking out the essence of a concept, applies to all its instances and none more. For example, Meno’s definition of virtue as ‘the ability to rule over people’ is both too narrow for excluding children and slaves (who might also be virtuous), and too broad for including those who rule unjustly (and who are therefore not virtuous).
When seeking to define something, Socrates sometimes turns to the method of collection and division. In Plato’s Phaedrus, he responds to an orator’s speech on love with two speeches of his own. In his first speech, he debases love by claiming that it is a form of madness. But in his second, more considered, speech, he praises love for being ‘the highest form of madness’. Later in the dialogue, he points out that rhetoric has the most power with abstract notions such as ‘love’ and ‘justice’ that mean different things to different people and even to the same person from moment to moment. For this reason, in his second speech, he began by distinguishing between human and divine madness, and the four forms of divine madness (prophecy, mystic rites, poetry, and love). This, he says, involved collecting all the various forms of madness, and then dividing them up again ‘according to the natural formation’.
Occasionally, Socrates proceeded instead by the maieutic method, which is often confused with the method of elenchus. But whereas the Socratic method aims at aporia [suspension of belief], the maieutic method aims more properly at hypothesis generation and testing.
In Plato’s Theaetetus, the young Theaetetus contrasts his ease in defining mathematical terms with his difficulty in defining knowledge. He confesses that he has long pondered the problem of knowledge and suffers from his lack of an adequate solution. Socrates responds, ‘These are the pangs of labour, my dear Theaetetus; you have something within you which you are bringing forth.’ Socrates goes on to compare himself to a midwife [maia—hence, ‘maieutic method’] who works with men rather than women, and the soul rather than the body. Just as the midwife is beyond bearing age, so he too is barren—not of children, but of wisdom. All he can do is bring forth the wisdom of others and thoroughly examine it.
Once he understands what Socrates is asking of him, Theaetetus offers three definitions of knowledge (knowledge as perception, knowledge as true belief, and knowledge as true belief with an account, i.e. justified true belief), each of which is rejected, or falsified, by Socrates. So although the Theaetetus ends in aporia, it is more of an exploratory dialogue than a classic aporetic one. It is no coincidence that Theaetetus is a model of humility and perplexity: because he begins in aporia, or adogmatism, he is an ideal candidate for the more positive, collaborative maieutic method.
Yes, Socrates, and I am amazed when I think of [these kinds of contradiction]; by the Gods I am! And I want to know what on earth they mean; and there are times when my head quite swims with the contemplation of them.
I see, my dear Theaetetus, that Theodorus had a true insight into your nature when he said that you were a philosopher, for wonder is the feeling of a philosopher, and philosophy begins in wonder.
Aristotle
When, in 366, Plato returned from his second trip to Syracuse, he would have found a bright new face at the Academy. The young Aristotle began in Plato’s fold, even writing dialogues in the manner of Plato, but later diverged from him and founded his own school, the Lyceum.
Unlike Plato, Aristotle privileged observation over speculation. Like modern scientists, he began with a systematic gathering of data, from which he attempted to infer explanations and make predictions. He carried out dissections and even rudimentary experiments such as cutting out the heart of a turtle to discover that it could still move its limbs for a surprisingly long time. However, he did not carry out anything like modern case-control studies, and relied uncritically on the lay testimony of beekeepers, fishermen, travellers, and the like. This lack of rigour led to some embarrassing errors, such as the claim that lions copulate back-to-back, while bears adopt the missionary position and hedgehogs stand on their hind legs to face each other. Or the claim that the female of several species has fewer teeth than the male. Among these species, he included humans, when he could simply have looked into his wife or daughter’s mouth.
Aristotle referred to the branches of learning as ‘sciences’, and divided them into three groups: practical sciences, productive sciences, and theoretical sciences.
Practical sciences are concerned with right action and beautiful behaviour both at the level of the individual, as in ethics, and at the level of the community, as in politics.
Productive sciences are concerned with products or outcomes, and include, among many others, agriculture, architecture, ship-building, medicine, music, and rhetoric.
Theoretical sciences are concerned with knowledge for its own sake, and comprise both natural sciences and non-empirical forms of knowledge such as mathematic and metaphysics.
Logic, that is, the branch of learning that is concerned with the principles of intellectual inquiry, does not fit into this tripartite division of the sciences, but underpins them all, and stands alone and apart under the heading of Organon [‘Tool’].
Aristotle’s logic, or ‘analytics’ as he called it, is the first ever systematic study of human reasoning, and the second ever formal system after the Astadhyayi [Sanskrit grammar] of Panini. At the end of Sophistical Refutations (the sixth and last book of the Organon), Aristotle himself says that, in most cases, discoveries lean upon the achievements of others, but in this case, ‘Nothing existed at all… we had absolutely nothing else of an earlier date to mention, but were kept at work for a long time in experimental researches.’ More than two thousand years later, no less an authority than Immanuel Kant (d. 1804) deemed Aristotle’s logic to be complete and unsurpassed.
In fact, Chrysippus (d. c. 206 BCE), the third scholarch of the Stoic school, had developed a more sophisticated system of propositional logic. In the third century CE, Diogenes Laertius wrote that Chrysippus was so renowned for dialectic [reasoned argument] that ‘most people thought, if the gods took to dialectic, they would adopt no other system than that of Chrysippus.’ However, Stoic logic came to be lost—along with the more than seven hundred works of Chrysippus (who might otherwise have been a household name)—while Aristotle’s deductive or syllogistic logic came to dominate.Because logic seemed capable of uncovering the hidden truths of nature, the Aristotelian system was heavily taken up in the monasteries and madrasas. In Islamic scholarship, Aristotle’s Rhetoric and Poetics came to be appended to the Organon, and it is true that the works lie on a spectrum: whereas the Organon is about uncovering the truth, the Rhetoric and Poetics are about instilling it in less philosophical types.
The Method of Loci, or ‘Mind Palace’—and the Gruesome Story Behind It
The Mind Palace is simple—and fun too.
By Dr Neel Burton — Psychiatrist, philosopher, and wine writer; Fellow of Green Templeton College, University of Oxford; author of over twenty books.
Article substantially revised on 11 August 2026.
Before autocues, slides, and even paper, an orator had to be able to stand before an audience and deliver an elaborate speech from memory. The Romans accorded such importance to memorisation that memoria became one of the five canons of rhetoric, alongside invention, arrangement, style, and delivery.
Fortunately, they had a simple and effective technique for remembering almost anything in sequence. More than two thousand years later, the same technique is still used by actors, public speakers, memory champions—and anyone who would rather connect with an audience than read out a script.
Simonides of Ceos and the Banqueting Hall
Although mnemonic devices far predate the written word, both Cicero and Quintilian name Simonides of Ceos (c. 556-468 BCE) as the first teacher of an art of memory.
Simonides is perhaps best known for composing the epitaph for the three hundred Spartans who died at Thermopylae:
Go tell the Spartans, passerby That here, by Spartan law, we lie.
According to Plutarch, Simonides once dismissed the northern Thessalians as ‘too ignorant’ to be moved by poetry. But after the assassination of the tyrant Hipparchus in Athens, he had to swallow his words and work for the Thessalian aristocrat Scopas.
One day, at a banquet, Simonides sang a lyric poem in honour of Scopas. But the poem contained so many references to the gods Castor and Pollux (the Dioskouroi, or Gemini) that Scopas told Simonides that he would only pay him half the agreed fee, adding, “You can go and claim the other half from Castor and Pollux.”
A little later, Simonides was called out of the banqueting hall to meet two young men who had just arrived and were asking for him. When he went out, he saw no one, but as he turned around the banqueting hall collapsed, killing Scopas and everyone within it.
Their bodies were so mangled as to be unrecognisable. But because Simonides remembered everyone’s position around the table, he was able to identify their remains. This gruesome experience led him to develop a system of mnemonics based on images and places called the method of loci.
The Method of Loci, or Mind Palace
The method of loci, also called the memory palace or ‘mind palace’ (as popularised by Sherlock Holmes), involves placing a mnemonic image for each item to be remembered at a defined point along an imaginary route.
First, choose a very familiar environment, for example, your house or garden or favourite walk. This is your backdrop: it is fixed, and you can reuse it for talk after talk.
Within this setting, there will be a number of distinct locations, or loci, such as your front door, the doormat, the entrance hall, the stairway, your study to the left and the snug to the right… You do not have to have a mansion with many rooms, like Jesus’ father. Instead, you can think of the snug as, say, three separate loci: the fireplace, the sofa, and the alcove. But you must always make the same journey through your memory palace and come to the loci in the same sequence.
Then, in each locus, place a mnemonic image that represents the thing to be remembered at that point in your talk, for example, a goose, to trigger your story about visiting a goose farm in Extremadura. The more striking the image, the easier it will be to remember. If your next point is about inflation, don’t picture a graph or a number: picture an enormous loaf of bread swelling until it bursts through your kitchen ceiling.
Once you’ve furnished your memory palace, just keep on running through it until you’ve memorised your talk.
The method works because it turns an abstract sequence into a journey through familiar space. Instead of trying to remember one thought after another, you simply walk through your house, garden, or favourite street and ‘see’ each thought waiting for you in its appointed place.
Because the images represent ideas rather than sentences, the method encourages you to speak rather than recite. You remember the structure and substance of your speech while remaining free to tailor your words to the moment.
Try it out on something small, and see how well it works.
Alexander the Great before Diogenes the Cynic: power to truth.
By Dr Neel Burton — Psychiatrist, philosopher, and wine writer; Fellow of Green Templeton College, University of Oxford; author of over twenty books.
Essay substantially revised on 12 August 2026.
Free speech is not merely a political right, but a condition of freedom of thought—and of becoming fully human. Read what happens to the mind when it is denied.
Once, upon being asked to name the most beautiful of all things, Diogenes the Cynic (d. 323 BCE) replied parrhesia, which in Greek means something like ‘free speech’ or ‘full expression’. In his ethical treatise, the Nicomachean Ethics, Aristotle (d. 322 BCE) presents parrhesia as a trait of the ‘great-souled’ man, or megalopsychos.
The Greeks did not conceive of parrhesia as a right or privilege, but as a virtue or perfection, as well as a moral and social obligation. When Alexander the Great approached Diogenes in Athens and asked whether there was anything he might do for him, Diogenes replied, ‘Yes, stand out of my sunlight.’
Living in a much more oral society, and having but one word, logos, for both speech and reason, the Greeks understood the close connexion between freedom of speech and freedom of thought.
The connexion runs deeper than might first appear. Speech is not merely the expression of existing thoughts. It is also one of the principal means by which thoughts are formed in the first place. By putting an idea into words, we give it shape and solidity; by submitting it to public scrutiny, we expose it to verification and contradiction; and by defending, modifying, or abandoning it, we teach ourselves what we think. Rhetoric, at its best, is not merely the art of persuading other people, but part of the process by which we reason with them, and with ourselves—hence the tradition of sometimes writing two speeches, one in favour of a position, and the other against.
In Athens, parrhesia underpinned the democracy. For a democracy to flourish, or even merit the name, citizens must be free, able, and willing to speak their mind. Free speech not only enables democracy, but also legitimises its laws and protects it from aspiring tyrants. Undermine free speech, and you undermine democracy—which is why free speech is enshrined in the First Amendment of the U.S. Constitution.
Undermine free speech, and you undermine human dignity, which is why free speech is enshrined in Article 19 of the United Nations Universal Declaration of Human Rights:
Everyone has the right to freedom of opinion and expression; this right includes freedom to hold opinions without interference and to seek, receive, and impart information and ideas through any media and regardless of frontiers.
‘Free speech’ is something of a misnomer. It includes not only speech but also forms of expression, such as writing a book, drawing a cartoon, or burning a flag. Taking inspiration from the French libre expression, we might more accurately and comprehensively refer to ‘free speech’ as ‘freedom of expression’.
Today, many people, especially younger people, believe that freedom of expression can conflict with minority rights, and ought to be curbed to promote a more inclusive society. Is this argument worth entertaining?
The Freedom to Think
Let’s begin by looking more closely at the benefits of free speech. Often, it is by articulating it to others that we work out our position on a particular issue. And in arriving at our opinion, it helps if we are being encouraged, assisted, and challenged—which is why tutorials and a common table are (or ought to be) an important part of university life.
The same principle operates on the scale of entire societies. Intellectual cultures become sophisticated not simply by accumulating information, but by permitting disagreement. An argument produces a counterargument, the counterargument exposes a weakness, and the original argument either collapses or becomes stronger and more subtle. Socrates made a method of this dialectical process, asking awkward questions in gymnasia and marketplaces until received but misguided ideas about courage, justice, and virtue began to unravel.
Even if an opinion is untrue, it may still serve to clarify or reinforce the truth. Moreover, many misguided opinions contain aspects of the truth. Plato himself doubted his Theory of Forms, which nonetheless remains of immense value. Rousseau, who pushed back against the Enlightenment, may have been wrong to idealise the state of nature, but was right to point out that progress also has downsides. Even when securely established, a living truth risks stultifying into a dead dogma if it is not regularly challenged.
This is one reason censorship can have consequences far beyond the particular opinions it suppresses. When certain things cannot safely be said, people learn to avoid not only certain statements, but also certain questions, associations, and lines of enquiry, corrupting the processes that make complex, sophisticated thought possible. That would be why Nazi ideology could take off without ever being grounded, and why Soviet art criticism under Stalin was seldom very enlightening.
Censorship, in other words, does not merely prevent us from saying what we think. In time, it can prevent us from thinking what we might otherwise have thought. We become, as it were, lame human beings, something less than fully human.
Censorship, No-Platforming, and Cancel Culture
So far, we have been talking about the kind of constructive, co-operative discourse that graces academia. But are resentful bigots also entitled to freedom of expression? Or to put it more neutrally, do the intolerant also warrant tolerance?
If bigots were unable to air their opinions, or simply denied a platform, these and they would go unchallenged. Feeling vindicated and persecuted, the bigots would recast themselves as tellers of uncomfortable truths, and, in time, recruit followers. Feeling unheard and unrepresented, this growing mass may resort to violence and destruction, including sabotage of the political system.
Censoring bigots also risks giving their opinions greater appeal and publicity. Prosecuting David Irving for Holocaust denial put him onto the front pages, and turned him from obscure and discredited historian into a free speech martyr. Banning The Satanic Verses and issuing a fatwa to kill the book’s author and publishers turned the book into a cultural icon.
Conversely, those who engage in ‘cancel culture’ are likely to invite resentment and, in so doing, undermine their cause—to say nothing of the extra-judicial and often disproportionate damage done to the reputations and careers of their targets. In such a climate of fear, self-censorship, even by well-meaning academics and liberals, makes it difficult to calmly and rationally discuss sensitive topics such as immigration and transgender rights.
And here the distinction between free speech and free thought begins to break down. If an academic has an idea but dare not voice it, the idea cannot be tested against the opinions and objections of colleagues. If a student has a doubt but dare not express it, the doubt remains inchoate. If an entire culture learns to avoid certain questions, it may eventually lose not only the answers but even the questions themselves. This is, of course, what some people would like. But to forbid a question is to forbid whatever truths might lie around and beyond it.
Policing Free Speech
Of course, we do already police free speech. In Schenck v. United States (1919), U.S. Supreme Court Justice Oliver Wendell Holmes Jr. famously argued that free speech does not extend to falsely shouting ‘Fire!’ in a crowded theatre. John Stuart Mill (d. 1873) drew the line at incitement to physical violence.
But beyond this (and a few other cases such as libel, threats, and false advertising), where might we redraw the line between the acceptable and the unacceptable? Socrates, Christ, and Giordano Bruno all lost their lives expressing what came to be regarded as seminal ideas.
Once we had redrawn the line, would the temptation not be to keep redrawing it? The Spanish Inquisition began as one thing and slid into quite another. And it mattered little if some of the inquisitors were well-intentioned.
There is a deeper difficulty. The people empowered to decide which opinions are too dangerous, offensive, or mistaken to be expressed must themselves hold opinions, and their opinions are no more guaranteed to be correct than anybody else’s. To censor an opinion is therefore not to remove judgement from public discourse, but to privilege one judgement over another—and, in many cases, to protect it from the very criticism that might correct it.
Today, the public square has moved online, and it is unaccountable tech giants, rather than the church and state, that are being expected to police free speech—when they might simply begin by ensuring that each individual user is genuine and accountable.
As they say, sunlight is the best disinfectant. The best response to a bad opinion is not censorship, but good argument and rhetoric. And yes, this might sometimes include mockery and derision and causing offence—although we should not go out of our way to cause offence, as with ‘hate speech’. Our focus ought to be on the facts, and not on the characteristics (although maybe the character) of our opponent.
This brings us back to parrhesia. To the Greeks, speaking freely required more than permission. It required courage: the willingness to say what one believed to be true despite the possibility of ridicule, retribution, or mere umbrage. Socrates exercised that freedom in the face of death; Diogenes before a bloodthirsty king.
In a society in which suffering is medicalised, there is a tendency to conflate psychological offence with physical violence, with the implication that retaliatory physical violence might be justified. But ‘free speech’ includes the right not to listen. Taking offence, as the Stoics insisted, is always a choice. Offence exists not in the insult but in our reaction to it, and our reactions are completely within our control. It is unreasonable to expect a boor to be anything but a boor; if we take offence at his bad behaviour, we have only ourself to blame.
Diogenes called parrhesia the most beautiful thing in the world because freedom of speech is more than the freedom to make a noise. It is the freedom to question, to contradict, to make mistakes, to change our minds, and to find out who we are and who we might be. Without it, rhetoric falls into propaganda, truth into dogma, and thought itself is strangled.
The circumstances in which we laugh are many and varied, but, deep down, we laugh for one (or sometimes several) of just seven reasons.
We laugh:
1. To feel better about ourselves. When looking for romance on dating sites and apps, we often ask for, or promise to offer, a good sense of humour (GSOH). Today, we tend to think of laughter as a good thing, but, historically, this has not always been the case. In particular, the Church looked upon laughter as a corrupting and subversive force, and for centuries, the monasteries forbade it. This notion that laughter can be less than virtuous finds an echo in the superiority theory of laughter, according to which laughter is a way of putting ourselves up by putting others down. The superiority theory is most closely linked with the philosopher Thomas Hobbes, who conceived of laughter as “a sudden glory arising from sudden conception of some eminency in ourselves, by comparison with the infirmity of others, or with our own formerly.” Think of medieval mobs jeering at people in stocks, or, in our time, Candid Camera.
2. To relieve stress and anxiety. Clearly, the superiority theory is unable to account for all cases of laughter, such as laughter arising from relief, surprise, or joy. According to the relief theory of laughter, most often associated with Sigmund Freud, laughter represents a release of pent-up nervous energy. Like dreams, jokes are able to bypass our inner censor, enabling a repressed emotion such as xenophobia (or, at least, the nervous energy associated with the repression) to surface—explaining why, at times, we can be embarrassed by our own laughter. By the same token, a comedian might raise a laugh by conjuring some costly emotion, such as admiration or indignation, and then suddenly killing it. Although more flexible than the superiority theory, the relief theory is unable to account for all cases of laughter, and those who laugh hardest at offensive jokes are not generally the most repressed of people.
3. To keep it real. Much more popular today is the incongruity theory of laughter, associated with the likes of Immanuel Kant and Søren Kierkegaard, according to which the comedian raises a laugh, not by conjuring an emotion and then killing it, but by creating an expectation and then contradicting it. Building upon Aristotle, Kierkegaard highlighted that the violation of an expectation is the core not only of comedy but also of tragedy—the difference being that, in tragedy, the violation leads to significant pain or harm. Possibly, it is not the incongruity itself that we enjoy, but the light that it sheds, in particular, on the difference between what lies inside and outside our heads. The incongruity theory is arguably more basic than the relief and superiority theories. When someone laughs, our inclination is to search for an incongruity; and though we may laugh for superiority or relief, even then, it helps if we can pin our laughter on some real or imagined incongruity.
4. As a social service. According to the philosopher Henri Bergson, we tend to fall into patterns and habits, to rigidify, to lose ourselves to ourselves—and laughter is how we point this out to one another, how we up our game as a social collective. For example, we may laugh at one who falls into a hole through absentmindedness, or at one who constantly repeats the same gesture or phrase. Conversely, we may also laugh at, or from, an unusual or unexpected lack of rigidity, as, for instance, when we break a habit or have an original idea. Ultimately, says Bergson, we are laughable to the extent that we are a machine or an object, to the extent that we lack self-awareness, that we are invisible to ourselves while being visible to everyone else. Thus, the laughter of others usually draws attention to our unconscious processes, to our modes or patterns of self-deception, and to the gap, or gulf, between our fiction and the reality. This gap is narrowest in poets and artists, who have to transcend themselves if they are to be worthy of the name.
5. To put others at ease. Another way of understanding laughter is to look at it like a biologist or anthropologist might. Human infants are able to laugh long before they can speak. Laughter involves parts of the brain that are, in evolutionary terms, much older than the language centres, and that we share with other animals. Primates, in particular, produce laughing sounds when playfighting, play-chasing, or tickling one another. As with human children, it seems that their laughter functions as a signal that the danger is not for real—which may be why rictus characters such as Batman’s Joker, who send a misleading signal, are so unsettling.
6. For diplomacy. Most laughter, even today, is not directed at jokes, but at creating and maintaining social bonds. Humour is a social lubricant, a signal of contentedness, acceptance, and belonging. More than that, it is a way of communicating, of making a point emphatically, or conveying a sensitive message without incurring the usual social costs. At the same time, humour can also be a weapon, a sublimed form of aggression, serving, like the stag’s antlers, to pull rank or attract a mate. The subtlety and ambiguity involved is in itself a source of almost endless stimulation.
7. To transcend ourselves. Laughter may have begun as a signal of play, but it has, as we have seen, evolved a number of other functions. Zen masters teach that it is much easier to laugh at ourselves once we have transcended our ego. At the highest level, laughter is the sound of the shattering of the ego. It is a means of gaining (and revealing) perspective, of rising beyond ourselves and our lives, of achieving a kind of immortality, a kind of divinity. Upon awakening on her deathbed to see her entire family around her, Nancy Astor quipped, “Am I dying, or is this my birthday?”
Today, laughter is able to give us a little of what religion once did.
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