Inauthenticity involves pretending to be something other than one is and so, by implication, casting off the freedom to create, express, and fulfil one’s own self. Inauthenticity is often reinforced by sociocultural forces such as peer pressure and advertising, and is motivated by the subconscious desires to fit in, avoid criticism, and minimise or put off the existential anxiety associated with choice and responsibility. Examples include the teenager who acts ‘cool’, the person who takes an interest in something because others do, and the person who gets married because he has arrived at the ripe old age of 30, 35, or 40 years old.

The 20th century philosopher Jean-Paul Sartre calls such inauthenticity mauvaise foie, ‘bad faith’. His paradigmatic example of bad faith is that of a waiter who does his utmost to conform to the archetype of the waiter, that is, to everything that a waiter should or is expected to be. For Sartre, the waiter’s exaggerated behaviour is evidence that he is play-acting at being a waiter, an automaton whose essence is to be a waiter. By sticking with the safe, easy, default ‘choice’ and failing to entertain or even recognise the multitude of other choices that are open to him, the waiter places himself at the mercy of his external circumstances. In this important respect, he is more akin to an object – ‘a waiter’ – than to a conscious human being who is able to transcend his existence to give shape to his essence. As Freud himself commented in his book, Civilization and its Discontents, ‘Most people do not really want freedom, because freedom involves responsibility, and most people are frightened of responsibility.’

The concept of authenticity does not begin with Sartre or Freud, and stretches at least as far back as Plato. In the Greater Alcibiades, Socrates asks a young and foolish Alcibiades how one is to go about gaining self-knowledge. Socrates maintains that, if one were to say to the eye, ‘See yourself,’ the eye should look into a mirror to see itself. Since the pupil of the eye is just like a mirror, the eye could see itself by looking into an eye. Similarly, the soul can see itself by looking into the soul, and particularly into that part of the soul which has most to do with wisdom and which is therefore most akin to the divine. Self-knowledge, Socrates concludes, is, in fact, no other than wisdom; unless Alcibiades finds wisdom, he will never be able to know his own good and evil, nor that of others, nor the affairs of states. If Alcibiades were to become a statesman – as indeed he intends – without first having found wisdom, he would fall into error and be miserable, and make everybody else miserable too. What is more, he who is not wise cannot be happy, and it is better for such a person to be commanded by a superior in wisdom; since that which is better is also more becoming, slavery is more becoming to such a person. Socrates’ conclusions may seem abhorrent to modern sensitivities, but it does stand to reason that the person who unconsciously defines himself according to the likes and expectations of others and, by extension, of society also condemns himself to by far the most dishonourable kind of slavery, the slavery of the mind.

I wander thro’ each charter’d street,
Near where the charter’d Thames does flow.
And mark in every face I meet,
Marks of weakness, marks of woe.

In every cry of every Man,
In every Infant’s cry of fear,
In every voice, in every ban,
The mind-forg’d manacles I hear.

– William Blake, London

As noted by the 20th century psychoanalyst and philosopher Erich Fromm, the authentic person does not necessarily need to resemble some kind of freak outsider. If a person engages in a frank and thorough appraisal of the universal and personal implications of the prevailing social norms and then decides to adopt some or most of them en toute connaissance de cause, then he cannot be taxed with inauthenticity. Conversely, it should not be assumed that every eccentric is an authentic. Genuine authenticity lies in the method and not in the madness.

Jean-Paul Sartre on Bad Faith

I’ve been reading Professor Alister McGrath’s magisterial textbook of theology, mostly by night on a palm-fringed terrace in Mauritius, where the many mosquitoes did their utmost to keep me from the knowledge of God.

It’s fascinating to see philosophy approached from a different angle, to uncover a total system of understanding on the same scale as that of Plato, Aristotle, or Kant. These are the ideas that have defined our civilisation and that continue to shape and colour our lives, whether we appreciate it (in both senses of the term) or not.

Once theologians such as Karl Barth, Jean Calvin, St Aquinas (the Doctor Angelus), or Duns Scotus (the Doctor Subtilis) are placed in their historical and sociocultural context, they become anything but dry and irrelevant, and many of the questions that they raise remain of the greatest and most universal philosophical and psychological import. Not for nothing does the University of Oxford accord the highest rank to the Doctor of Divinity.

Something that stood out in my reading is the theological interpretation of a common human experience, namely, that subtle sense of longing for something undefined.

According to St Augustine, this feeling of dissatisfaction arises from man’s fallen condition. Although man has an innate potential to relate to God (substitute ‘the absolute’ or ‘the infinite’ if you are discomfited by the religious connotations of the term ‘God’), this potential can never be fully realised, and so he yearns for other things to substitute for it. Yet these other things do not satisfy, and he is left with an insatiable feeling of longing—longing for something that cannot be defined.

CS Lewis elaborates on Augustine’s maxim that desiderium sinus cordis (‘longing makes the heart deep’) by arguing that no earthly object or experience can satisfy man’s profound and intense feeling of longing. Lewis calls this feeling of longing ‘joy’, which he defines as ‘an unsatisfied desire which is itself more desirable than any other satisfaction’. (I kind of see it as our aesthetic reservoir, in the broadest sense.)

This paradox arises from the self-defeating nature of human desire, such that the fulfilling of a desire yet leaves it unsatisfied. Lewis illustrates this from the age-old quest for beauty,

The books or the music in which we thought the beauty was located will betray us if we trust to them; it was not in them, it only came through them, and what came through them was longing. These things – the beauty, the memory of our own past – are good images of what we really desire; but if they are mistaken for the thing itself they turn into dumb idols, breaking the hearts of their worshippers. For they are not the thing itself; they are only the scent of a flower we have not found, the echo of a tune we have not heard, news from a country we have not visited.

Yesterday, I prepared a dinner for some friends, and we recited the Socratic Prayer from the Phaedrus in lieu of grace, with someone reading the lines of Socrates and someone else that of Phaedrus.

I think I will be sticking with the Socratic Prayer, it is absolutely perfect for a dinner amongst friends.

Socrates: Beloved Pan, and all ye other gods who haunt this place, give me beauty in the inward soul; and may the outward and inward man be at one. May I reckon the wise to be the wealthy, and may I have such a quantity of gold as a temperate man and he only can bear and carry. – Anything more? The prayer, I think, is enough for me.
Phaedrus: Ask the same for me, for friends should have all things in common.
Socrates: Let us go [eat].

Diogenes of Sinope or Diogenes the Cynic was a contemporary of Socrates’ pupil Plato, whom Plato described as ‘a Socrates gone mad’. Like Socrates and, to a lesser extent, Plato, Diogenes favoured direct verbal interaction over the written account. When a man called Hegesias asked to be lent one of his writing tablets, he replied, ‘You are a simpleton, Hegesias; you do not choose painted figs, but real ones; and yet you pass over the true training and would apply yourself to written rules.’ After being exiled from his native Sinope for having defaced its coinage, Diogenes moved to Athens, took up the life of a beggar, and made it his mission to metaphorically deface the coinage of custom and convention, which, he maintained, was the false coin of morality. He disdained the need for conventional shelter or any other such ‘dainties’ and elected to live in a tub and survive on a diet of onions. He proved to the later satisfaction of the Stoics that happiness has nothing whatever to do with a person’s material circumstances, and held that human beings had much to learn from studying the simplicity and artlessness of dogs, which, unlike human beings, had not ‘complicated every simple gift of the gods’. The terms ‘cynic’ and ‘cynical’ derive from the Greek kynikos, which is the adjective of kyon or ‘dog’.

Diogenes placed reason and nature firmly above custom and convention, which he held to be incompatible with happiness. It is natural for a human being to act in accord with reason, and reason dictates that a human being should live in accord with nature. Accordingly, he taught that, if an act is not shameful in private, then it should not be shameful in public either. Upon being challenged for masturbating in the marketplace, he replied, ‘If only it were so easy to soothe hunger by rubbing an empty belly’. Upon being asked, on another occasion, where he came from, he replied, ‘I am a citizen of the world’ (cosmopolites), a radical claim at the time and the first recorded use of the term ‘cosmopolitan’. Although Diogenes privileged reason, he despised the sort of abstract philosophy that was being practiced elsewhere and in particular at Plato’s Academy. When, to great acclaim, Plato defined a human being as an animal, biped, and featherless, Diogenes plucked a fowl and brought it to the Academy with the words, ‘Behold! I have brought you Plato’s man.’ Plato consequently revised his definition, adding to it ‘with broad nails’.

Diogenes was not impressed with his fellow men, not even with Alexander the Great, who came to meet him one morning while he was lying in the sunlight. When Alexander asked him whether there was any favour he might do for him, he replied, ‘Yes, stand out of my sunlight.’ Much to his credit, Alexander still declared, ‘If I were not Alexander, then I should wish to be Diogenes.’ In another account of the conversation, Alexander found Diogenes looking attentively at a pile of human bones. Diogenes explained, ‘I am searching for the bones of your father (King Philip of Macedon), but cannot distinguish them from those of a slave.’ Diogenes used to stroll about in broad daylight with a lamp. Whenever curious people asked him what he was doing, he would reply, ‘I am just looking for a human being.’ Much to his chagrin, all he ever found were rascals and scoundrels. When asked how he wished to be buried, he left instructions to be thrown outside the city wall so that wild animals could feast upon his body. After his death in the city of Corinth, the Corinthians erected to his memory a pillar upon which they rested a dog of Parian marble. Diogenes taught by living example that wisdom and happiness belong to the person who is independent of society. He was, I think, a shining example of the art of failure.